![]() For this particular one, canine vociferation, see also Cerberus ( Inf. 263-87.ĭante fairly often portrays infernal monsters and characters as having bestial traits. 266-68) to this passage, see Edoardo Sanguineti (“Dante, praesens historicum,” Lettere Italiane 10 ), pp. For a study of the historical present in the Commedia, with attention (pp. This is the everlasting present of the moment of damnation, occurring, the text would make us feel, even as we read. ![]() ![]() 4-15, are in the present, as Dante leaves little doubt but that he wants his readers to imagine themselves – unless a life of good conduct and God's grace combine to gain a better end – coming before that judgment in the future. In fact all the verbs in the passage describing Minos's judgment, vv. V.4) argues that the present tense of the verbs in this tercet (sta, ringhia, essamina, giudica, manda, avvinghia) reflects the continuous condition of Minos's behavior.
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